front cover of More Money than God
More Money than God
Richard Michelson
University of Pittsburgh Press, 2015
How do we come to terms with loss? How do we find love after tragedy?  How can art and language help us to cope with life, and honor the dead? How does one act responsibly in a world that is both beautiful, full of suffering, and balanced precariously on the edge of despair and ruin? With humor, anger and great tenderness, Richard Michelson’s poems explore the boundaries between the personal and the political, and the connections between history and memory.  Growing up under the shadow of the Holocaust, in a Brooklyn neighborhood consumed with racial strife, Michelson’s experiences were far from ordinary, yet they remain too much a part of the greater circle of poverty and violence to be dismissed as merely private concerns, safely past. It is Michelson’s sense of humor and acute awareness of Jewish history, with its ancient emphasis on the fundamental worth of human existence that makes this accessible book, finally, celebratory and life-affirming.
[more]

front cover of What Saves Us
What Saves Us
Poems of Empathy and Outrage in the Age of Trump
Edited by Martín Espada
Northwestern University Press, 2019

This is an anthology of poems in the Age of Trump—and much more than Trump. These are poems that either embody or express a sense of empathy or outrage, both prior to and following his election, since it is empathy the president lacks and outrage he provokes.

There is an extraordinary diversity of voices here. The ninety-three poets featured include Elizabeth Alexander, Julia Alvarez, Richard Blanco, Carolyn Forché, Aracelis Girmay, Donald Hall, Juan Felipe Herrera, Yusef Komunyakaa, Naomi Shihab Nye, Marge Piercy, Robert Pinsky, Danez Smith, Patricia Smith, Brian Turner, Ocean Vuong, Bruce Weigl, and Eleanor Wilner. They speak of persecuted and scapegoated immigrants. They bear witness to violence: police brutality against African Americans, mass shootings in a school or synagogue, the rage inflicted on women everywhere. They testify to poverty: the waitress surviving on leftovers at the restaurant, the battles of a teacher in a shelter for homeless mothers, the emergency-room doctor listening to the heartbeats of his patients. There are voices of labor, in the factory and the fields. There are prophetic voices, imploring us to imagine the world we will leave behind in ruins lest we speak and act.

However, this is not merely a collection of grievances. The poets build bridges. One poet steps up to translate in Arabic at the airport; another walks through the city and sees her immigrant past in the immigrant present; another declaims a musical manifesto after the hurricane that devastated his island; another evokes a demonstration in the street, shouting in an ecstasy of defiance. The poets take back the language, resisting the demagogic corruption of words themselves. They assert our common humanity in the face of dehumanization.

[more]


Send via email Share on Facebook Share on Twitter